Loglines are the first hurdle in the producer, studio executive relationship as well. But more often than not, the process works. Do they occasionally miss out on bankable talent? Sure. Loglines are the first step in their weeding out process. Agents and managers receive hundreds of submissions every month and read only a fraction. Loglines are a deciding factor at every step of the creative process. Why Is Learning To Write A Logline Important? We’ll get into how-to later, but first, let’s cover why loglines are essential. It sounds easy, but when it’s your work in question, whittling down a hundred and twenty pages of set pieces, dialogue, and career into a 30-word blurb is a helluva thing. Technically, a logline is a precise one-sentence summation of a screenplay that follows a fairly straightforward formula: protagonist + catalyst + protagonist’s goal + antagonist/conflict. So come on already, how do I write a great logline? If you want to hold your friend’s attention (or, more importantly, the concentration of managers, agents, and studio executives), you have to learn the art of selling a story, and that starts with a great logline.Ĭheck out our article: Finding Representation is Weird Science What is a Logline? “Trust me,” they promise.ĭescribing a movie is problematic because movies weren’t meant to be described they were written, directed, and seen. Then you remember all the times you’ve watched others struggle to describe a movie they loved. Conflict! Plot twists! Sound effects! You look up, expecting to see the awe, and instead find a glossy-eyed distraction. Plates cleared and drank ultimately you dive in. Scorcese won’t be able to resist it, Spielberg or Cameron either! You have to tell someone, so you invite your best friend over for dinner. A Logline Doesn’t Tell a Story, It Sells an Idea So, with no further ado, here’s how to write a logline. A well-written logline will get you access to the managers, agents, and producers capable of putting your ideas on screen.
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